Hooks-Epstein Galleries

Artists

Path of the Dove, 2017, on aluminum, 22 x 44", ed. 1/7

Julie Brook Alexander

Three Bosc Pears, 2016, oil on board, 24 x 24"

Arch, cast and cut glass, 20 x 21 x 3"

Alex Gabriel Bernstein

Gleamdarkly, 1984, mixed media on paper, i.s. 21 5/8 x 28 1/2", (Secondary Market)

Untitled 1, 2015, mixed media on paper, 18 1/2 x 24"

Sandi Seltzer Bryant

Blue Boy, blown, 11 x 7 1/2"

Self-portrait II, 1997, reduction linoleum cut, i.s. 11 5/8 x 9" / s.s. 24 x 18", ed. 48/70, (Secondary Market)

Migration, 2017, archival photomontage and acrylic on wood panel, 40 x 60"

Kathryn Dunlevie

Untitled, 1983, oil on canvas, 39 1/2 x 39 1/2 x 1 1/2"

Denizens of the Deep, 2017, acrylic paint, acrylic markers, archival inks on canvas, 48 x 36"

document #1, 2012, mixed media collage, f.s. 15 1/4 x 12 1/4" / i.s. 7 1/4 x 5 1/4"

The Biggest Fish Is Always The One That Got Away, 2015, graphite on paper, i.s. 13 1/2 x 17" / f.s. 19 x 23"

Mayuko Ono Gray

Iesha Fate, 2016, lithograph, 13 x 9"

The Great Pollinator, 2007, graphite and acrylic on panel, 29 7/8 x 29 7/8 x 1"

Herencia IV, 2016, carved relief on drywall, 24 x 24"

Marcos Hernandez

Red Shouldered Hawk, 2012, blown, sculpted, 15 x 6 x 6"

Karen Willenbrink-Johnsen (wit

Gentrification's Song, 2017, intaglio, embossing, found objects, 18 1/2 x 8 x 4"

Cobalt Sleeping Bust on Plinth, 2015, glass, 14 1/2 x 9 1/2 x 5 1/2"

Cock, 2004, oil, acrylic, paper on canvas, 25 x 22", (Secondary Market)

Kelli Scott Kelley

Island, 2018, intaglio, hand color (watercolor), relief, collage, i.s. 18 1/2 x 24 1/2"

Kurt Kemp

Hands Off, 2015, oil on canvas, 30 x 30”

Brazo II Pendulo, 1998, bronze, 24 1/2 x 5 x 7", ed. 2/8

The Archaeology of Solitude, 2017, mixed media on wood, 48 x 48 x 3"

Radial Chromography #1, 2017, paper, i.s. 8 x 8 x 1/2" / f.s. 15 x 12 x 1 1/2"

Edward Lane McCartney

The Game V (Maybe No One Will Notice), 2016, gouache on yupo, p.s. 42 x 59 1/2" / f.s. 47 x 65 1/8"

Stephanie Mercado

Against All Odds, 2015, gouache, colored acetate, watercolor pencil on paper, 18 x 15"

Elegy Fragment II, 1990, aquatint and lift-ground etching, i.s. 23 1/2 x 14 1/2" / s.s. 34 1/2 x 24", ed. 47/52, (Secondary Market)

Robert Motherwell

Man on Bed with Cat, 1994, bronze, 4 1/2 x 4 1/4 x 10", ed. A/P 4

Richard Neidhardt

The Disobedient Prophet, 2017, acrylic on panel, 10 1/2 x 12 1/2"

Soliana, 2017, charcoal, s.s. 50 x 38"

Kingsley Onyeiwu

Bloom (Orange/Brown), blown, hot sculpted glass, murine, 24 x 17 x12"

CJ (Madame Walker), 2002, steel, 21 x 18 x 7"

Roughneck (View 1), 2016, ceramic, mixed media, 38 3/4 x 18 5/8 x 9"

Kelly and Kyle Phelps

A Brief Glance, 2009, kiln cast and drop formed mosaic glass, 8 x 12 x 12"

Peacock, 2016, glass, gold leaf, steel, 15 1/2 x 7 x 5"

Lady Isabelle, 2015, oil on canvas, i.s. 48 x 48" / f.s. 49 1/8 x 49 1/8 x 2 1/8"

Diane Rudy

Savannah Stroll, 2016, assemblage, 21 1/2 x 17 x 4 1/2"

John Mark Sager

Construction Chic, 2017, cottolin, mason line, thread, redwood frame, 25 1/2 x 23 x 2 1/2"

Infinite Jester, 2014, assemblage, 7 x 6 1/2 x 5"

Cadmium Split, 2014, handblown, sandblasted, 8 x 13 x 14"

Maison de la Culture, 1977, pen, ink, watercolor, 18 1/2 x 27", (Secondary Market)

Jean-Jacques Sempe

Psalm 133, 1963, lithograph in colors, 20 5/8 x 26 3/4", (Secondary Market)

Ben Shahn

Vlad Krasnoshchok, Tretyakovka Series: Olive trees at the cemetery in Albano ( A.A. Ivanov), 2013, mixed media collage on antique museum catalogue, 12 1/8 x 14 1/4"

Vlad Krasnoshchok and Olga Sta

Through Out, 1989, Tennessee marble, 14 x 13 1/2 x 11"

Masaru Takiguchi

Ancestors V, 2018, pigment print on metallic warm paper, 24 x 35", ed. 1/5, AP

Prince Varughese Thomas

Walker, 2008 cast silicon bronze and granite base 9 x 9 1/2 x 13"

Scene of Japan, #126, 2013, cast, solid worked, torch worked, 7 1/2 x 10 1/2 x 9 1/2"

Tornitura Mizimah (turning), 2015, filet-de-verre, 10 3/8 x 23 x 11 3/8"