Hooks-Epstein Galleries

Artists

Julie Brook Alexander, "Unification", 2016, archival inkjet print, 12 x 24", ed. 1/10

"La Petite Galerie"

cucumber and mint, 2019, archival inkjet pigmented print, s.s. 16 x 22" / f.s. 24 x 30", ed. 1/7

Julie Brook Alexander

Going Home, 1994, oil on paper, 38 x 50", (Secondary Market)

Green Blue Reach, cast and cut glass, 14 x 14 x 3"

Alex Gabriel Bernstein

Lydia Bodnar-Balahutrak, "A Nesting", 2019, print, ink, charcoal, collage, i.s. 10 x 10" / p.s. 15 x 11"

Lydia Bodnar-Balahutrak

Square State Series #4, 2021, mixed media on board, 12 x 12"

Sandi Seltzer Bryant

Angel Castelan, "Fences", 2019, hand printed linocut on paper, s.s. 9 x 9" / f.s. 10 x 10", ed. of 25

Green Verde Teapot, 2016, hot sculpted/sand blasted, 9 x 10 x 3"

y mi voz que madura, 2021, various colored embroidery cotton string on handbuilt wood frame with pegs, 12 x 12"

Marcos Hernandez Chavez

Ipanema, 2014, archival print on wood panel (from a handmade collage), 41 1/2 x 39 1/4"

Kathryn Dunlevie

Package 1, c. 1998, lithograph, 17 1/2 x 23 1/5", ed. 141/360

Fox & Fag, 2018, wire, plaster bandage, papier-mâché, horse hair, 22 x 18 x 18"

Sunni Forcier, "The New Dictionary of Existentialism", 2019, bound book, found objects, 8 1/4 x 11 1/2 x 1 1/2"

Desira Garcia, "No Wonder", 2019, pigmented archival inks on various mixed media papers, f.s. 13 x 13"

Scott Gordon, "those who insist", 2017, mixed media, i.s. 7 x 5" / f.s. 15 1/4 x 12 1/4"

Mayuko Ono Gray, "形あるものいつかこわれる Anything that takes a form will break sooner or later (Self-portrait)", 2018, graphite on paper, 21 1/4 x 11"

Mayuko Ono Gray

Africa House View, 2020, etching, 16 x 24"

Portrait of the Hero as a Rabbit, 2015, graphite, acrylic on panel, 12 x 12 x 3 3/8"

Clara Hoag, "pilot", 2019, fired clay, black, white, and brown wash, 27 1/2 x 5 3/4 x 7 1/4"

Clara Hoag

Lagoon, 2018, multiple/varied editions, 22 1/2 x 35 x 6 1/2"

Red Shouldered Hawk, 2012, blown, sculpted, 15 x 6 x 6"

Karen Willenbrink-Johnsen (wit

House Negro, 2020, transfer print, gilding, 13 1/2 x 53 x 35 1/2"

Cobalt Sleeping Bust on Plinth, 2015, glass, 14 1/2 x 9 1/2 x 5 1/2"

Kurt Kemp, "The Boy and the Bat", 2019, graphite on plastic, glass, razor, i.s. 12 x 13 1/4" / f.s. 14 1/8 x 17 5/8 x 1 1/2"

Kurt Kemp

Robert Kinsell, "Prickle Head", 2019, archival inkjet print, i.s. 16 x 16/f.s. 25 3/4 x 25 1/8", ed. 1/5

James Mathison, "Brazo II Pendulo", 1998, bronze, 24 1/2 x 5 x 7", ed. 2/8

Bernard Mattox, "Letters from Eden", 2019, oil and mixed media on wood panel, 16 x 20 x 3"

2 @ home, 2020, 10 1/4 x 8 1/4", cardboard and paper collage on masonite

Edward Lane McCartney

Untitled 1, 2020, relief print collage, 12 x 9"

Stephanie Mercado

Embracing Series #1, 2020, 11 x 11", micron and lumocolor markers on vellum film

Richard Neidhardt, "Man on Bed with Cat", 1994, bronze, 4 1/2 x 4 1/4 x 10", ed. A/P 4

Richard Neidhardt

Still Life with Birds, 2020, acrylic on paper, p.s. 20 x 15"

A Mindful Moment, 2021, soft pastel on paper, 22 x 30 1/4"

Kingsley Onyeiwu

Bloom (Orange/Brown), blown, hot sculpted glass, murine, 24 x 17 x12"

Martin Payton, "Ravellington", 2009, steel, 25 x 20 x 17"

The Patriot, 2019, ceramics, mixed media, 38 x 20 1/2 x 8 1/2"

Kelly and Kyle Phelps

A Brief Glance, 2009, kiln cast and drop formed mosaic glass, 8 x 12 x 12"

John Mark Sager, "Conversation in the Cathedral", 2019, assemblage, 15 x 9 x 12"

John Mark Sager

Lauren Salazar, "Man Handled", 2016, handwoven twine and cotton, maple frame, paint, 18 x 12 1/2 x 2"

Cocoe, 2009, blown, carved glass, 13 x 14 1/2 x 10 1/2"

Davide Salvadore

Ward Sanders, "Relique", 2019, box construction, encaustic, 4 x 5 1/2 x 6"

Maison de la Culture, 1977, pen, ink, watercolor, 18 1/2 x 27", (Secondary Market)

Jean-Jacques Sempe

Psalm 133, 1963, lithograph in colors, 20 5/8 x 26 3/4", (Secondary Market)

Ben Shahn

Masaru Takiguchi, "Horny Dream", 2002, walnut, 5 1/2 x 10 x 8"

Masaru Takiguchi

Portrait of Lilly Singh, 2019, pigment print on Hahnemuhle photo rag, 20 x 20", ed. of 10

Prince Varughese Thomas

Jerome Witkin, "Vincent and His Demons II", 2012, oil on canvas, 16 x 28"

Scene of Japan, #126, 2013, cast, solid worked, torch worked, 7 1/2 x 10 1/2 x 9 1/2"

Tornitura Mizimah (turning), 2015, filet-de-verre, 10 3/8 x 23 x 11 3/8"