Tales of the Soul

Hooks-Epstein Galleries will present an exhibition of paintings and drawings by internationally renowned Texas artist Kermit Oliver. Tales of the Soul will continue through Saturday, January 21, 2023.

**On Saturday, January 21 the gallery will be hosting a talk between Dr. Alvia Wardlaw and Kermit Oliver beginning at 12:30.
**FOR PARKING: Please utilize neighborhood street parking or the parking garage across the street, as to not take up our Gallery Row neighbors parking spots. We appreciate your cooperation!**

Hooks-Epstein Galleries has been exhibiting Kermit Oliver’s paintings, drawings, hand-colored prints, and even sculpture, for over 30 years. This would not be possible without a love for the art and for Kermit himself. Kermit Oliver’s masterfully executed paintings and drawings have earned him worldwide recognition as one of the finest contemporary American artists of our time.

Oliver’s work was exhibited at the Art Center Waco (Waco, TX) in 2021. "New Narratives, New Beginnings", guest curated by art historian/author Susie Kalil, featured paintings and works on paper spanning over three decades. His work was included in the inaugural exhibition at the Smithsonian’s National Museum of African American History and Culture (Washington, DC), which opened to the public in 2016. Also in 2016, The Nave Museum (Victoria, TX) held a solo exhibition of selected works by Oliver. The Martin Museum of Art at Baylor University (Waco, TX) held an exhibition of his paintings and Hermès scarves in 2014. In 2013, Oliver received the first Lifetime Achievement Award from the Art League Houston. In 2005, Oliver’s work was the subject of a lifetime retrospective at the Museum of Fine Arts Houston. "Notes from a Child's Odyssey: The Art of Kermit Oliver", curated by art historian/scholar Dr. Alvia J. Wardlaw, featured works from the 1960's to the 2000's. Oliver's work was included in the 2001 international SITE SANTA FE biennial (NM), curated by art historian/critic Dave Hickey.

Oliver’s work is included in the permanent collections of The Art Museum of Southeast Texas (Beaumont, TX), The Dallas Museum of Art, The El Paso Museum, The Museum of Fine Arts, Houston, and The San Antonio Museum of Art. Most recently the Smithsonian’s National Museum of African American History and Culture (Washington, DC) acquired a work for their permanent collection.

An alumnus of Texas Southern University who was mentored by Professor and muralist, Dr. John Biggers, Oliver was honored in 2016 at the university’s biennial For The Sake of Art gala and runway show. He was the subject of an article in the October 2012 issue of Texas Monthly, titled "Portrait of the Artist as a Postman: The strange and secret world of Kermit Oliver". He was also featured in an NPR news segment, "How A Texas Postman Became An Hermès Designer". Oliver holds the distinction of being the only American artist to create scarf designs for the French fashion house of Hermès.

In addition, Kermit Oliver, a student of Greek and Roman mythology and of the Old and New Testaments, derives extensive symbolism from these texts, which he presents in his work in a contemporary and highly personal way. His paintings show the honesty and integrity of a talented and dedicated artist. His works have a sense of spirit and mystery that reflect his unique and personal vision.

In 2019, Geri Hooks and Hooks-Epstein Galleries commissioned art historian/author Susie Kalil to write a major book about the life and art of Kermit Oliver. "Kermit Oliver: An Enduring Spirit" is currently in development and will be published by Texas A&M University Press.

Exhibition Dates: 
Saturday, December 3, 2022 to Saturday, January 21, 2023

Tondo Schema for...

"Tondo Schema for Hanging Turkey", 2008, pen and ink on paper, i.s. 6 x 6" / f.s. 15 x 13 3/8"
Tondo Schema for Hanging Turkey (detail), 2008, pen and ink on paper, i.s. 6 x 6" / f.s. 15 x 13 3/8"

Hortus Siccus

"Hortus Siccus", 2019, acrylic wash, graphite on paper, i.s. 14 1/4 x 18 1/2" / f.s. 15 1/4 x 21 1/4"
"Hortus Siccus" (detail), 2019, acrylic wash, graphite on paper, i.s. 14 1/4 x 18 1/2" / f.s. 15 1/4 x 21 1/4"

Polyphemus Seen...

"Polyphemus Seen Auguring The Carapace of Heaven", 2016, acrylic on masonite, Kermit frame, 25 1/4 x 17"

The Flaying of Marsyas...

"The Flaying of Marsyas (study)", 2018, acrylic and graphite on paper, i.s. 14 1/2 x 8 1/2" / f.s. 19 3/8 x 13 3/8"

Jacob's Lamb

"Jacob's Lamb", 2008, acrylic on paper, i.s. 14 x 24" / f.s. 27 1/2 x 35 1/2"
"Jacob's Lamb" (detail), 2008, acrylic on paper, i.s. 14 x 24" / f.s. 27 1/2 x 35 1/2"

Presentation of Virgin...

"Presentation of Virgin to the Temple", 2018, graphite on paper, i.s. 14 1/2 x 11 1/2" / f.s. 20 x 17"

Study: Two Donors...

"Study: Two Donors Before a Hallowed Image", 2017, graphite on paper, i.s. 8 x 6" / f.s. 12 x 10 1/8"

A Holocaust

"A Holocaust", 2018, graphite on paper, i.s. 14 1/2 x 11 1/2" / f.s. 20 x 17"

Five Loaves, Two Fish

Katie Oliver, "Five Loaves, Two Fish", 2006, mixed media, i.s. 3 1/2 x 5" / f.s. 7 x 9"

Touch Water

Katie Oliver, "Touch Water", 2007, oil pastel, i.s. 6 1/2 x 9" / f.s. 10 3/4 x 13 1/4"

Paper Wrap

Katie Oliver, "Paper Wrap", 1998, etching with unique hand coloring, i.s. 3 1/4 x 4" / f.s. 15 x 12 1/4", H.C. edition

St. Anne's Church...

Katie Oliver, "St. Anne's Church Houston", circa 1970s, ink print, i.s. 8 3/4 x 11 1/2" / f.s. 15 1/4 x 18", ed. 8/100

Grass Plain - Serengeti

Katie Oliver, "Grass Plain - Serengeti", 1998, etching with unique hand coloring, i.s. 6 x 9" / f.s. 12 1/4 x 15", H.C. edition

Haddassah or Esther

Katie Oliver, "Haddassah or Esther", 2006, photography, paper collage, i.s. 18 x 24" / f.s. 25 3/4 x 31 1/4"

Mordecai's Niece

Katie Oliver, "Mordecai's Niece", 2006, photography, paper collage, i.s. 19 x 24" / f.s. 24 1/8 x 30 1/8"

Sold Inventory

Hanging Dead Fowl

"Hanging Dead Fowl", 2019 acrylic wash on paper, i.s. 12 1/4 x 7 1/4" / f.s. 19 1/4 x 14 1/2"
"Hanging Dead Fowl" (detail), 2019 acrylic wash on paper, i.s. 12 1/4 x 7 1/4" / f.s. 19 1/4 x 14 1/2"

Chanticleer

"Chanticleer", 2006, acrylic on paper, i.s. 22 x 16" / f.s. 39 x 32" (Secondary Market)

Ichthus

"Ichthus", 2016, acrylic on gessoed paper, i.s. 15 x 16"/f.s. 24 1/2 x 25 1/2"
"Ichthus", 2016, acrylic on gessoed paper, i.s. 15 x 16"/f.s. 24 1/2 x 25 1/2"

Beets

"Beets", 1994, acrylic on paper, i.s. 10 1/2 x 8" / mat size: 16 5/8 x 14 1/8"

Suspended Lettuce

"Suspended Lettuce", 1999, acrylic on paper, i.s. 16 3/4 x 12 3/4" / f.s. 34 3/4 x 28 7/8"
"Suspended Lettuce" (detail), 1999, acrylic on paper, i.s. 16 3/4 x 12 3/4" / f.s. 34 3/4 x 28 7/8"

Olive Tree

"Olive Tree", 1986, conte and color wash, i.s. 15 1/2 x 23" / f.s. 24 x 31 1/2"

Cousin West's Dam

"Cousin West's Dam", 1975, acrylic on masonite, i.s. 11 3/4 x 21" / f.s. 20 1/4 x 30 1/4", (Secondary Market)

Young Arcadian

"Young Arcadian", 1988, etching with unique hand coloring, i.s. 8 3/4 x 6" / f.s. 17 1/4 x 14 3/8", H.C. edition, (Secondary Market)

Garlanded Sheep

"Garlanded Sheep", 1998, etching with unique hand coloring, i.s. 5 3/4 x 9" / f.s. 12 1/4 x 15", H.C. edition, (Secondary Market)

Sheep in Shade

"Sheep in Shade", 1996, acrylic on paper, i.s. 16 x 10"/ f.s. 23 1/4 x 17 1/4"
"Sheep in Shade" (detail), 1996, acrylic on paper, i.s. 16 x 10"/ f.s. 23 1/4 x 17 1/4"

A Frugal Repast

"A Frugal Repast", 2019, acrylic on paper, i.s. 12 3/8 x 13 3/8" / f.s. 17 3/4 x 18 3/4"
"A Frugal Repast" (detail), 2019, acrylic on paper, i.s. 12 3/8 x 13 3/8" / f.s. 17 3/4 x 18 3/4"

Leaping Ewe

"Leaping Ewe", 2007, conte crayon, acrylic wash on paper, i.s. 12 3/4 x 9 3/4" / mat size: 19 x 16"

Bystander Observing A...

"Bystander Observing A Deposition", 2004, red china marker on paper, i.s. 9 3/4 x 17 3/4" / mat size: 16 x 24

Cephas

"Cephas", 2005, China marker on paper, i.s. 22 x 16" / mat size: 28 1/8 x 22 1/8"

Presentiment

"Presentiment", 2007, conte crayon, acrylic wash on paper, i.s. 12 3/4 x 9 3/4" / mat size: 19 x 16"

An Urgent Ewe

"An Urgent Ewe", 2004, red china marker on paper, i.s. 10 x 18 1/4" / mat size: 16 x 24"

Ophelia

"Ophelia", 2016, acrylic on panel, Kermit frame, 5 1/2 x 7"

Amalthea Before a...

"Amalthea Before a Somnolent Cerberus", 2018, acrylic on panel, Kermit frame, 11 7/8 x 16 7/8"

Annunciation

"Annunciation", 1981, litho, i.s. 9 x 11" / f.s. 16 x 18", ed. 78/100

The Seer

"The Seer", 2016, crayon on paper, i.s. 14 1/2 x 12" / f.s. 23 x 20 1/2"

Saturnia Pavonia:...

"Saturnia Pavonia: Crysalid", 2014, graphite on paper, i.s. 18 3/4 x 12 3/4" / f.s. 27 x 21"
"Saturnia Pavonia: Crysalid" (detail), 2014, graphite on paper, p.s. 24 x 18" / i.s. 18 3/4 x 12 3/4"

Joacim's Garden

"Joacim's Garden", 1988, acrylic on paper, i.s. 16 3/4 x 11" / f.s. 29 x 23", (Secondary Market)

Salome

"Salome", 2014, graphite on paper, p.s. 24 x 18" / i.s.18 3/4 x 12 3/4"
"Salome" (detail), 2014, graphite on paper, i.s.18 3/4 x 12 3/4" / f.s. 27 x 21"

Ribbons

"Ribbons", 2014, prisma color, wax pencil, i.s. 9 x 6 1/2" / f.s. 14 x 11 1/2"

Ophelia: A Study

"Ophelia: A Study", 2017, acrylic on panel, i.s. 12 x 14" / f.s. 14 3/4 x 16 1/2"

Katie Oliver | Witness

Katie Oliver, "Witness", 2009, woodcut, i.s. 4 x 6" / f.s. 23 1/4 x 13 1/4"